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August 18th, 2009
05:24 pm - AAH and OTP It's been 5 years that the old Adventure at Hogwarts and On the Pitch RP message boards have been archived on my servers. As the servers go, so now do AAH and OTP. <salutes>
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August 15th, 2009
02:32 pm - Moving the blast-ended.org Guestbook to here Hi all, I am in the process of tearing down my system at home and not running servers there anymore. It will take quite a while to accomplish as it took about 10 years to build it up, but the latest step is I am closing the blast-ended.org website. All my fics are also available on either ff.net or fictionalley.org so the only part that is really unique on there are the entries people made in my Guestbook on that site. Didn't want to lose those!!!
( Here they are, preserved for posterity.... )
Current Mood: practical Current Music: Tiny Little Secrets - Betty Soo
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December 4th, 2008
11:18 am - Blood of Mud, Wing of Bat Chapter 44: First Strike Here you are guys... thanks to Neshel for reminding me how to make a cut hehe... oh and, my site is still http://www.blast-ended.org/ and it needs a facelift too.
Current Mood: anxious Current Music: Sheryl Crowe - Riverwide
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12:17 am - Holy Crap it's beein a while eh? Believe it or not BoM,WoB is still alive. I was playing a lot of DragonRealms and totally ignoring Harry Potter. I can't say I'm really still in the fandom per se, but I have stopped playing DR and suddenly have all this free time so guess what... BoMWoB time!
I actually have Chapter 44 completed but I need to re-write the entire dang novel to take into account that last chapter of the last book, which was apparently included just to drive me insane. ("20 years post-hogwarts, here is a list of all their kids and who's married to who... no pressure or anything...")
My question is, do you guys wanna see chapter 44 here while I am working on the rest of it? :-p
OF COURSE YOU DO... yeah...
No wait, I forget how to do a LJ cut. OK nevermind I will post it on my website later tonight, or tomorrow. It's a little long to assault people's Friends pages without a cut. Sorry!
It's titled "First Strike" and it is a very er... revealing interview starring Rita Skeeter, an anonymous Someone Else, and Rita's Purple Prose Pen. w00t! Current Mood: jubilant Current Music: The Humpty Dance
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May 4th, 2006
11:34 am - Pillow-Wisps For any who were curious, the pillow-wisps used by the media and Aurors in Blood of Mud, Wing of Bat are the wizarding take on balloon lights, a product of our own entertainment industry.

This example photo is from one of the AirStar home pages. They were the inventors of the muggle version ;-) By the way these things can be rented if you ever have a night wedding or some other event where some kick ass and unusual lighting would be the perfect touch. Current Mood: mischievous Current Music: Georgia Satellites - Let it Rock
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March 26th, 2006
11:13 pm - Blood of Mud, Wing of Bat (the title) I've had a couple negative comments about the title of this story. One just called it terrible and off-putting, while another went so far say it was pretentious and too-obviously a Shakespearean rip off.
I confess myself a bit bewildered.
The story is about potions ingredients. The setting, the plot, and dare I say the resolution is 100% chemistry related, figuratively and literally. What better way to get that fact across immediately and unmistakeably than to apply a recognizeable literary reference?
Or am I missing something? Is Shakespeare out of fashion among the younger set or something? Help me out here, guys. Current Mood: melancholy Current Music: Steve Vai: Mystery Tracks
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March 18th, 2006
10:08 am - On the Subject of Whether Ron and Arthur are Canonical
On the Subject of Whether Ron and Arthur are Canonical
I get a lot of comments regarding whether characters in Blood of Mud, Wing of Bat seem consistent with established canon. One of my favorite things about the Harry Potter universe is that the characters are not one-dimensional, and I celebrate that in Blood of Mud, Wing of Bat by having fun with both the good and bad points of each character. And for the most part I get positive comments on this, the vast majority of readers are quite pleased.
But there are certain characters that receive occasional negative comments for canon compliance, most often Ron and Arthur. I think there is a tendency for some fans to want to idealize these two characters because of the positions they hold in the books. Ron is Harry and Hermione's friend, but he is also their brother since neither of them has a real one. Likewise he takes the spot of their boy/girlfriend until one of them ultimately gets a real one. Arthur is father to them both: he provides refuge in the summer, and is their Wizarding father since Harry's real one is dead and Hermione's can't help her with everything because he is a Muggle.
I don't mean this literally of course. But I'm just saying. These are roles they occupy and the slot the reader is encouraged to store them in mentally. And nobody really wants to think that the "good guy dad" is corrupt or the "good guy friend/brother" is insecure and jealous.
But the fact is, Rowling gives these two nice guys just as many warts and blemishes as she gives everybody else. I personally enjoy those just as much as I enjoy Draco's and Hermione's, but some other people just don't seem to want to see them.
For example I have gotten at least two letters complaining about the line where Hermione tells Jude he inherited his father's temper, just as Ron inherited it from Arthur. The people who wrote these letters thought it was a gross error and claimed that Arthur was the nicest, sweetest man and that this was an out of character portrayal of him. But who could forget the scene where Arthur physically attacked someone in a public bookstore? Put yourself in the situation and imagine you were at a public bookstore at the mall with your friends, and your friend's dad leaped over the counter and tried to strangle a rude clerk or something. It would be shocking behavior wouldn't it? And certainly reveals a far more violent temper than most possess.
One reader pointed out, and rightly so, that Molly has a heck of a temper too. But Molly's temper is a good deal different than Arthur's. Molly can be scary any time any day, and her fury is very mother-like. Misbehavior by her kids, foolish risk-taking on the part of the people she loves, and threats to her family will all set it off. Arthur, by contrast, is mild-mannered in general and not such of a stickler for the family rules and such, but he can be provoked to violence by things that Molly would probably consider not worthy of that type of response: the incident with Lucius Malfoy at the bookstore is an example which really oughtn't be overlooked. I see Jude's temper as being more like Arthur's than like his mother's, which is why Hermione talked about Arthur in her letter to her son. Jude is a nice kid, but when put into a situation where someone could run rings around him and his little sister verbally, he "solved" the problem by pushing the aggressor down the stairs.
Anyway, since Arthur and Ron's canonicity has come up a few different times I thought I'd explain how I see the two characters. I don't know that it'll make much of a difference to those who've complained, but I find it an interesting topic nonetheless.
Ron: ---- In the books, Ron is a great friend, fiercely loyal and full of energy and his morals fall right along regular student norms making him an easy friend to be around on a day-to-day basis.
But Ron is also extremely insecure about his family's position and lack of wealth. Of all the Weasley kids he seems to display the most violent reaction to being teased about it, and he's awfully prickly about it even with his best friends. It's an upsetting topic for him. This is very interesting to me as I grew up below the poverty line too, but I've always been perfectly comfortable with that fact. It would be inconvenient to go back to that situation now, but I don't have that deep seated defensiveness about it that he has. So I noticed it right away, and it fascinates me. I'd say it's a fundamental character trait of Ron's, one upon which all his niceness and loyalty and such must depend whether anybody realizes it or not. There are numerous examples throughout the books of his friendships and school/Quidditch performance being shaken when those people or situations unknowingly tweaked his insecurity.
In Blood of Mud, Wing of Bat, Ron is not a critical element except in the role he plays, that of Hermione's current spouse. It could have been Krum instead, or even an OC. If Ron dies in Book 7 I could easily rework the story to be just as effective without him, using a different male and replacing the familial connection to the Weasleys with a purely political one.
However, I think Ron is the ideal and preferred character in many ways. He would have been a default spouse for Hermione based upon how a relationship between them has been hinted at or teased about in the books, and I wanted someone who wouldn't be as easy to dismiss from the mind as an original character would be. Krum would be a fine replacement except that Krum has no canonical internal conflicts that would be powerful enough to threaten to rip apart a marriage. They'd have to be created from whole cloth just as I'd have to do for an OC. But Ron already has this jealousy, this defensiveness. He has a deep need to prove himself and yet a defensiveness and a fundamental fear of inadequacy that can really get in the way.
Translate his book-self forward 20 years, as Ron is entering mid-life and finally has the fame and resources to get the best, and is it any wonder that there is a conflict between what his gut level tells him he needs, and what he's always had to make do with? To put it crudely, how much money would he have if he wasn't helping to support 5 kids? How much more fun would he have if he had a wife who loved Quidditch as much as he did and even travels to see him? Being gifted with the Burrow, the ancestral home, was an honor but it's also a tremendous burden. Does he actually want that now, when he doesn't even live there? Whether Ron actually cheats or not, he's in a life situation that many would find unbearable.
As you get older, there start being questions that have no easy answers. And simply saying "well that shouldn't even be a question" is not realistic. Real human beings who think with their heads and feel with their hearts will always have to struggle with such questions and when dealing with issues stretching all the way back to Day 1 the less self-analytical people will have a tough time knowing even why they feel like they're going mad.
The Representation of Ron's Point of View
While Ron and Draco are not actually opposites in that Ron isn't a prime protagonist in the story, they do naturally oppose one another in that the reader will percieve them as competitors for Hermione's attention and the single Draco is, heh, a possibility of sorts if one were to entertain the notion of Hermione looking elsewhere besides Ron.
Because Ron is a naturally sympathetic character and Draco for many people is not, I had to concentrate upon presenting Draco's situation first and rendering him a bit more universally sympathetic early on in the story to maintain a balance. This has regrettably meant that Ron's point of view won't get a full treatment until he and Hermione really have it out. I'm sorry that for some people this translates into a belief that I have't thought out Ron's character and situation pretty thoroughly but all I can say is... trust whippy.
Arthur:
It's obvious that, in the books, Arthur is a good guy. Unlike Snape, the Minister, and the various DADA teachers, who one could never quite trust, there's no niggling fear that Arthur will turn on the kids or develop into a monster ever in the 7 books.
Arthur does have his warts though. For me, the defining moment of Arthur's character is when he's more interested in how well the flying car flew than the staggering career implications of having broken laws he himself wrote. It's just a funny little line in one scene in one book, but that kernel of truth about him is quietly echoed dozens of times throughout the rest of the books.
Arthur is a very important character to Blood of Mud, Wing of Bat. His dual nature, that seemingly seamless blend between the fun loving bad boy and the Order of the Phoenix vigilante on the one hand, and the responsible father and law-drafting law-enforcing Ministry official on the other, directly reflects the main theme of Blood of Mud, Wing of Bat. If Arthur were to get killed in Book 7 I'd have a very difficult time replacing him with another canon character because of that underlying connection.
Chapter 44 (not yet posted) is an interview between Rita Skeeter and another ex-partner of Rudeo Nesbitt's, this one still in the employ of Special Ops. This fellow, who chooses to remain anonymous, characterizes Arthur as essentially anti-Ministry and asserts that he holds his appointment as Director of Auror Affairs for that very reason: he is a person high up in Ministry employ who still mistrusts the Ministry enough that the common people can trust him to oversee the Aurors with the common people's rights in mind.
This is a position of incredible importance in the story, though I'm not sure it's been well enough defined in the posted chapters yet for people to really get a firm grasp on why that is and exactly what he is. Recently the story was Niffled again on Fiction Alley and the Niffler refered to Arthur as the Minister of Magic. That he is not, but the fact that someone got that impression underscores the importance of the position he does hold. Especially from the point of view of Special Ops and the people who they pursue.
(As an aside, Auror Affairs is an oversight body rather equivalent to an investigative committee in Congress or Parliament. The people who belong to it, including Arthur as its head, all have real positions elsewhere in the Ministry as well as their Auror Affairs responsibilities. I imagine Arthur has held various positions in the Ministry in the 22 years since the end of Book 7, including possibly the Minister of Magic position itself. However those details are not particularly relevant to Blood of Mud, Wing of Bat so much as the fact that he has made a life career of Ministry work and was politically the right choice for Director of Auror Affairs at this time.)
Arthur's Moral Choices and What they Mean for Hermione
In the story, Arthur represents a choice for Hermione. That choice is to work with the Ministry despite its very evident shortcomings, and to break what laws one needs to, or take vigilante action if all else fails. That's what Arthur does, and it's clear there are other friendly Ministry employees in the books (Kingsley Shacklebolt for example) who do the same. It wouldn't be possible if Arthur and these other people weren't a little corrupt, but it's also the only way to make sure certain problems get handled. After all, if everybody played by the rules would the Order of the Phoenix have been in a position to protect Sirius Black or prevent disaster at the Department of Mysteries?
Another choice, of course, is to operate entirely outside of the law but it becomes a little more difficult to justify one's actions then, especially for a habitual rulebooker like Hermione. There reaches a point in that case where denial isn't enough to cover up the ugly facts. This touches on Hermione's internal conflict which is of course fundamental to the story. If you're interested in more about this, my LJ post of May 20, 2004 about the "Conflict Line" discusses Hermione's internal conflict and talks about what a conflict line is and why it is so critical to a story's success. I don't want to reveal Draco's conflict in detail until the story is completely posted but the clever reader might be able to put it together after reading that post.
Anyway, with regards to Arthur, I just want to make it clear that he is neither disregarded or glossed over in Blood of Mud, Wing of Bat. None of his traits as expressed in the story are without specific scene backup from the books. I actually like Arthur quite a bit, and find his two-sidedness fascinating, particularly as it reflects life. Everybody needs to open their eyes and really see their parents' true bad points sooner or later, or they'll never fully understand themselves.
Current Music: Tracy Bonham: Mother, Mother
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November 8th, 2005
01:14 am - Addendum to Blood of Mud, Wing of Bat updates I was a bit frazzled when I posted yesteday so I forgot to mention that the updated (post-book-6) version is only available on my home page currently, that's http://www.blast-ended.org/ . There will be one more sweeping update having to do with a new Brit Picker who's reading it for me, and then when that's done I will fully update the copies at fanfiction.net and Schnoogle. For the people who like to read it there, sorry!
Also, http://www.blast-ended.org/ is currently the only copy that has Chapter 43, "The Hand of Voldemort". This is a new chapter in which we finally get to see what Malfoy's doing when owls can't find him in the middle of the night.... Current Mood: groggy Current Music: Star Wars III soundtrack
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November 7th, 2005
10:59 am - Blood of Mud, Wing of Bat updated for Book 6 compliance Well, what with school and everything it's been hard to find time to do it, but I've finally managed to get Blood of Mud, Wing of Bat fully updated to take Book 6 canon into account. For the second time in a row (first Book 5, and then now) I've been incredibly lucky in that almost no changes have been required whatsoever. The only difference is in Draco and Hermione's backstory:
1) We don't know if either of them actually attended their final year at Hogwarts.
2) Without any information I had placed Lucius' long term incarceration and Draco's unfortunate induction into the Death Eaters about 10 years after Hogwarts, now we know it happened while he was still there.
So how did these 2 items affect Blood of Mud, Wing of Bat in terms of plot? Not one whit. However I did need to do a bit of rewording in places. In particular Chapter 20 (Hawk's Eye) and Chapter 29 (Grilled Weasel on Toast) required rewriting since they dealt quite a bit with the Hogwarts years and then the time about 10 years before our story when a number of significant events still happen (just not Lucius' incarceration). I also went through and included a thought here or there throughout the story where additional comment might have been necessary based on new knowledge found in book 6.
And for those of you who noticed she mentioned Draco was right-wanded at the end of Book 6... hehe... hold that thought ;-) Current Mood: sleep-deprived
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August 6th, 2005
12:28 pm - Rain and Wings et al. Just wanted to warn everybody that I will be taking Rain and Wings, Introduction to Auroring and Moment of Brilliance down from the web next time I update my website. If anyone wants to keep copies of these they should probably download them within the next few days... fair warning.
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July 23rd, 2005
08:08 am - An Adventure at Hogwarts and On the Pitch Hello,
For those of you who were on the Adventure at Hogwarts RPG and/or played Quidditch, I'm sure you noticed the domain names expired a few months ago. Well the data was still sitting around on my servers so I stuck some blast-ended.org subdomains on them. For your nostalgic pleasure you can read your old posts at:
Adventure at Hogwarts: http://aah.archives.blast-ended.org/ On the Pitch: http://otp.archives.blast-ended.org/
There may be a few bugs and quirks; I didn't have time to go through it fixing the fine details today but I'll try to get to that in the next couple of weeks. Enjoy.
Hmm, let's see. Oh yes, in other news, I have read book 6 and I need to rewrite a bit of the back-history for Blood of Mud, Wing of Bat, but I got extremely lucky in that I don't have to change anything important in the story or its outline. Thank god! When a story tops 250,000 words and isn't finished yet these things take on a certain terror factor.
I have given up on finding another URL for the Chinese version of Nightcrawlers and am now asking if anyone has a copy of it on their hard drive. Anybody?
Someone has now offered to translate The Longbottom Effect... she/he didn't specify but I'm guessing to Italian. This time I'll be smart and ask if it'd be OK to post a copy on my own site too. Current Mood: harassed Current Music: Star Trek II: Wrath Of Khan soundtrack
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September 7th, 2004
01:20 pm Meh... I just discovered the link to the Chinese version of Nightcrawlers has gone dead again. If anybody can find it, please let me know!
Also, hermionesmum has been nice enough to Britpick the first 38 chapters of Blood of Mud, Wing of Bat. I'll be uploading the altered versions of the chapters to my home page over the next several days. Nothing too major... mostly wording issues.
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July 22nd, 2004
07:25 pm - The Revenge 
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June 28th, 2004
08:28 am This isn't a real entry. It's just some advice for people whose computers are gradually becoming practically useless due to ad-ware, viruses, or reasons they don't understand. It seems like half the people I talk to these days have this problem. Hope this general advice helps. (Sorry, it's just for PC owners because I don't know much about Mac, but if you're a Mac owner and have a slow or dodgy machine I expect your problem is insufficient RAM or an outdated processor.)
( Click here for a checklist for computer cleanup )
I realize I went over this stuff very lightly. If anybody needs any explanation or more detail on anything, let me know. I just figured a basic help migh be needed seeing as how there are so many people out there who've practically given up on their computers. Current Mood: discontent Current Music: Star Trek II: The Wrath of Khan soundtrack
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June 21st, 2004
04:42 pm - Update If anybody cares, I have found a new home on the Lost_Generation RPG. I've been given the honor of playing Draco as a 6th-7th year there... definitely a new direction for me roleplaying wise after being Harry for so long, but it does let me use all that research I did into Draco's character for Blood of Mud, Wing of Bat. A couple of other people from AaH are now there as well... if anybody else would like to apply, I'd be glad to put in a good word for you. It's a bit different RP experience from AaH being that it is a Journal game, but I find the differences quite delightful and intriguing in both its goods and its bads... rather like child!Draco himself.
Chapter 38 is taking longer than I thought to get finished. I thought it was nearly done, then decided to cut it and bring Chapter 40 ahead and make it 38 instead. Then after a good deal of staring in perplexity at the next 5 chapters I instead moved 40 back to 42, made the original 38 into 38 again with a number of severe content cuts, and inserted an all-new Chapter 40 which hasn't even been started yet. So the short version is, Chapter 38 isn't done yet, but it's really close. Heh.
Current Mood: indifferent Current Music: Mannheim Steamroller - Fresh Aire
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May 20th, 2004
07:24 am - The Conflict Line Since I started posting HP fanfiction I've had a number of people ask me for writing advice, and three of the most common questions are:
1) What if the author can't think of a title to save their lives? 2) How does one construct a story outline? 3) How does one get "unstuck" if they do not know how to end/complete their story?
IMHO these issues can all be solved with a solid outline. There are almost as many ways to outline as there are authors, I suppose, but I can describe how I was taught to do it, and maybe others can evolve their own methods from there.
Note: I was taught how to do this by Jacqueline Lichtenberg, a published science fiction author who (if I am remembering correctly) started out in Star Trek and MZB fandoms first. Whatever else can be said about JL, she did figure out a pretty keen way to do outlines. It took me about 2 solid years to learn this but it wasn't explained to me very well... I hope I can make a clean and easy-to-learn summary here.
Note #2: This outlining technique is meant for use on deep, powerful stories where the main core plot is emotional, like Blood of Mud Wing of Bat. Jacqueline Lichtenberg calls stories with an overt action or drama plot but a core emotional plot "Intimate Adventure". I think quite a bit of HP fan fiction could fall into this category, though I imagine the outlining technique could be adapted for other types of stories in any case.
Outlining a story:
1. The leads
The most important thing when outlining a new story is to identify your two leading characters -- protagonist and antagonist, or two protagonists who are at odds. These should be the two people you are the most interested in writing about, the ones whose struggles with each other should dominate the story. (For Blood of Mud, Wing of Bat, it's Hermione and Draco.)
This may sound crazy, but you want to set aside anything you'd already considered regarding the plot, the background, scenes that might happen in the story, stuff you would like to see someone say. Everything else depends on your two characters.
If you want practice at picking the 2 main characters, try doing it for existing books and movies that you know. The second character may not be who you think it is. Look at the first... er... earliest filmed, but storywise middle Star Wars trilogy. Luke Skywalker was the obvious first main. But who was the other? It was Darth Vader.
2. The two internal conflicts
Internal conflict is what makes characters vibrant and charismatic. Why else do fans flock to people like Spock and Snape? Why else do fans explore the good sides of bad guys, and the bad sides of good guys?
For the purposes of your story, you need to horn in on the one aspect of each leading character's personality that is crucial, fundamental -- and unresolvably self-conflicting. When I say unresolvable, I don't mean literally UNresolvable, just that the character him/herself will never be able to resolve it by themselves no matter how many weeks, months or years they spend struggling with it. It should be the most important aspect of the personality, one that has shaped everything they have done in their lives, and colored everything they say do.
Internal conflicts should be simple enough to be identified as _______ vs. _______.
For the purposes of Blood of Mud, Wing of Bat, I consider Hermione's basic difficulty to be one of radical, changing-the-world-for-the-better action versus self-righteous rulebook-thumping. When taken to the extreme, as the Hermione character tends to do, the two are totally incompatible. Yet, Hermione is too intelligent to be unaware of this; for a person as eager to right wrongs as she is, the paradox is a fundamental issue that will keep cropping up all her life. (I think this conflict is inherent in the Gryffindor house definition, by the way, not that it matters for this.)
Many pre-existing characters have several possible choices for internal conflict, especially if the character is complicated or not very well defined in the books. But, it's important to pick only one internal conflict to run with for your story. Pick one that most readers will readily accept for that character, and which can be built up to a crisis point. The one I identified for Hermione is good because it "scales" well, causing her problems both in day-to-day life and during momentous world-changing events.
It's good practice to take characters you know from books and movies and experiment with defining internal conflicts for them.
3. The double-resolution
It doesn't matter what the "rest of the story" is about... it could be set in wartime, at school, or with 2 people locked in a room alone together. All of that is set decoration... it's valuable tools, but we won't get to that part until later.
The important thing is, if you want to write a story which has depth and emotional power, it is very important that each of the main characters' internal conflicts be resolved to the reader's satisfaction by the end of the story.
In fact, this double-resolution is your ending. If you pick your two characters up front, and choose their internal conflicts accurately and well, then getting stuck not knowing what the end of half-a-story should be should never become a problem.
But how is it possible to end this way, when you were supposed to deliberately pick an internal conflict that the characters are unable to resolve themselves? Heh... here we come to the crux of the entire matter.
The two leading characters' internal conflicts must ultimately resolve each others'.
That is to say, the successful resolution must be something that never could have happened without the other person. This is true whether we are talking about two protagonists, or a protagonist and antagonist.
In Blood of Mud, Wing of Bat, Hermione and Draco need each other to resolve their personal internal conflicts. Whether "resolution" means someone gets killed (thus ending their personal problems), or someone grows and changes, or someone learns something, or something missing is provided, is what the reader cannot know until the end. But what is not up in the air is that Hermione would have gone on the same way forever if it hadn't been for Draco, and vise versa. This story is about what happened instead because they came into contact with one another.
If you really want to learn a lot, try picking some really well-written stories from films, television episodes, and books that you thought had very strong good endings (sad or happy, doesn't matter) and identify the two main characters, their internal conflicts, and the resolutions.
4. The Conflict Line
When you read Blood of Mud, Wing of Bat, do you feel a "pulling" sensation? Do you feel like no matter what happens in each chapter, you're being pulled inexorably toward some unknowable but titillating future resolution?
What you are feeling is what Jacqueline Lichtenberg calls the Conflict Line. The Conflict Line is what you get if you take the two characters' Internal Conflicts at the beginning of the story, and the double-resolution at the end, and draw a straight-line path between the two.
The thing about internal conflict and the Conflict Line is, even though they have nothing to do with the overt plot, readers will sense them gut level. The reader doesn't have to be the analytical type or even particularly smart. Nor do they have to be aware that they are sensing it. Picking up on emotional undercurrents is an important skill for any social animal that is built into us and anyone can do it to some extent, even when they don't realize it. Taking advantage of this makes the story feel, gut level, very realistic to the reader -- even if the story is about aliens or wizards.
By the way, if you are having trouble thinking of a title for a story, you can't go wrong by naming it after the POV character's internal conflict, the conflict line, or the resolution. The reader won't know why it's named that until the end, but then it will make perfect sense.
5. Using the conflict line
All right, so you have 2 main characters. You know their unresolvable internal conflicts (X vs. Y) and you know the double-resolution that will be achieved at the end of the story. You have an imaginary line, the "Conflict Line," running from beginning to end. Now what?
Now is when you finally get to use background, setting, any scenes you may have already written, dialog, and other characters. Arrange them any way you like, but remember one very very important thing:
Every scene, every bit of dialogue, every subplot, and every bit of subtext must further the advancement of the conflict line.
This is the "pull" you feel when you read. Readers naturally try to put together all the information they've read to form conclusions and try to look ahead to the future, even if they don't do it consciously. If you are staying on the conflict line, a lot of tension is created and the reader gets excited because they can feel the difference between the beginning and the end, and they can sense the straight line between the two. Staying on the conflict line, and bringing the story to a powerful conclusion, is what makes Oscar-winning dramas great. It is also what makes films like Pulp Fiction and Magnolia cohesive despite the apparent anarchy in the overt plots.
Adhering strictly to the conflict line is very important because if you stray from it, the reader will lose faith in you. The story will become shallow and they will either lose interest before finishing or say "the story was good but it lost its way mid-plot" or "it was the beginning of one story and the end of another". This can happen even if the overt plot, the window-dressing, is consistent.
"Falling off the conflict line" as Jacqueline calls failure to do this, is what leads to authors who don't outline getting "stuck" in the middle of the story. They had a subconscious feel for what they were trying to do, but lost touch with it, and have no idea why they got lost.
6. Using the overt story
Think of a painting. It has two aspects: the image or emotion portrayed, and the manner by which it was painted. You could take 18 paintings of "happiness" or 25 paintings of "still life with fruit" and they'd all be radically different. Even though the same basic message is being sent, the execution was different in each case.
Let's say you were a painter and that your goal was to express your anger in a painting. Would you use realism? Would you make it surreal? Would it be impressionistic? Would you use thick paint that built up into a texture, or very thin paint that showed every detail of the canvas itself?
What you'd probably do is some combination of techniques you already knew, plus maybe a few extras you thought would be particularly helpful for bringing out the anger of the piece. Things that would help the viewer really feel it when they saw it, even if they hadn't been told what it meant.
(example of 'pain' art: http://www.eyecraft.org/kaas/bleedingjpg.html )
Because "internal conflict" and "the conflict line" are all in subtext, they cannot exist without the "paint" of the external story. However, the external story can be anything.
As I said above: if you have chosen your basic internal conflicts and resolution properly, you could set your story anywhere... on a ship at sea, in a volcano, as a series of meetings in the Headmaster's office... anywhere, and the same basic goal will be accomplished.
In the case of Blood of Mud, Wing of Bat, the situation Hermione finds herself in has nothing to do with her basic personal issue (goody goody vs. radical). However, it points it up, fleshes it out, shows the reasons why it is a problem, shows why she can't fix it herself, connects her with the person who can fix the problem, and will ultimately show the resolution.
I chose the over-the-top drama of world-changing events as a backdrop for that story because it matches the theme of the Harry Potter books and it also matches the two characters' internal conflicts... they can't outgrow or outrun these problems, no matter how far they go in life. That's not the solution.
Still, I could have picked something else. I could have had it play out at Hogwarts in their 6th Year, since their internal conflicts existed even then.
It's a good exercise to sit down with your characters, their internal conflicts, and the conflict line and brainstorm 10 or 20 possible external plots that would make good tools for portraying the really important bit... the subconscious core plot.
To be continued.... I would like to show how to stay "on the conflict line" by choosing scenes, other characters, dialogue and so forth well. However this is already getting really long so I will post that as a separate entry if people are interested.
Anyway, if people have any questions, feel free to reply here.
Current Mood: Expansive
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April 24th, 2004
09:42 am - Trust in whippy. OK... for some time now I've been getting complaints from people about how Ron and Arthur are portrayed in Blood of Mud, Wing of Bat. I know exactly why this is: it's because I've been allowing Hermione to start to have doubts about them, in order to set up the conflict. But in point of fact, Ron and Arthur have never actually been shown to do anything bad or harmful in this fic; in their scenes they are nice enough, and IC enough, though perhaps a bit preoccupied with their own issues rather than Hermione's, but this wouldn't be the first time someone in the Harry Potter universe was in that state.
Two words: Point of view! OK, technically that is 3 words, but here's what I'm driving at. We have not heard Arthur's side of the story yet, nor have we heard Ron's. The vast majority of what Hermione has been thinking about them has been based on either hearsay, 3rd party (from Malfoy of all people) or born of her own doubts.
Today I actually had someone send me a review saying the fic was "lacking" because everybody seems badly characterized besides Hermione and Draco.
HELLO!!!! Egads... this person has done worse than miss the boat, they've got one foot on the boat and one on the dock. I am bewildered as to how a person could have read all 36 chapters and not have realized POV is a major, major theme in this story. In fact I'd say it is the main theme of this story.
"Everybody" is not badly characterized; they are simply under-represented. Nobody looks good through the eyes of their enemies and doubters. I really wonder how a reader could actually pick up on the elements of the story that make Hermione and Malfoy's portrayals accurate, and still somehow fail to realize that there are answers to all the questions raised by Hermione's doubts, and that answering those questions are what the actual plot of this story is.
I don't get it. I really don't. I just hope that the majority of the readers are sitting back and enjoying the story, and trusting that 2 + 2 will make 4 by the end.
Er... oops, was I ranting? Heh...
Current Mood: Exasperated
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February 4th, 2004
06:10 pm - Menage a... Chat? Hello, most of you are on my mailing list and probably know I posted Chapter 34 finally.
I figured out that all the problems were with the 2nd half of the chapter, and upon inspection the one half that was complete was 3000 words so it seemed kind of silly to hold back on posting, especially as the 2 half is about something completely different. Hehe.
ALSO...
I posted in my home page a story by a friend of mine, LittleLovelyGirl. It's called Old Friends and it came about when she was very bored on AIM one day and I gave her the fanfic challenge of... well, just go read it. Heh. http://www.blast-ended.org/oldfriends.html
Current Mood: accomplished
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February 3rd, 2004
03:08 pm - Memoralias Chapter 34 is killing me. It's half done, and it's stubbornly staying that way. I think part of the problem is that it requires a ton of research, and also a ton of original material. My brain is so fried. *beats head against keyboard* Current Mood: determined Current Music: FatBoy Slim - Star 69
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January 16th, 2004
06:09 pm - Come Do Me, Auror Ginny! Here's a link you guys might like. It's a piece of fan art by Felicite Fallon and it's a sketch of Pansy. According to her description of the picture on her own site, the caption "Come do me, Auror Ginny!" was inspired by Blood of Mud, Wing of Bat! Here's a link to the pic, posted with permission. Check it out!http://www.anyanka.com/pansy.jpg
Current Mood: chipper Current Music: Foo Fighters: I'll Stick Around
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